In 1974, recording six hours of high-quality video was not standard for performance art. Consequently, a single, continuous six-hour film of the event does not exist in the public domain. Instead, the legacy of the work is preserved through:
As time passed and it became clear that Abramović would not retaliate and had stripped herself of all power, the dynamic shifted. The audience realized the "contract" was real—she had accepted full responsibility. marina abramovic rhythm 0 1974 full video work
Further research into the "Rhythm" series or the documentation of these performances in modern museum archives can provide additional context on the development of performance art in the 1970s. In 1974, recording six hours of high-quality video