Originally published in 2005 (some records note a 2006 edition).

: Discusses the relationship with the environment and the concept of fukei .

: Contributes several articles, including From Document to Memory (1973), where he discusses the evolution of his visual language . He famously described the earliest known photograph by Niépce—a grainy scene of the sun's passage—as deeply influential to his work .

Kawauchi’s “writing” is akin to haiku . Where Moriyama uses bold kaisho (block script) and Sugimoto uses reisho (ancient clerical script), Kawauchi uses sōsho (grass script)—cursive, flowing, and almost illegible in its tenderness. Her setting sun writes: “Look at the small, miraculous seconds. This, too, is eternity.” She captures the ma (間)—the pregnant pause—between day and night, where melancholy and hope are indistinguishable.

: Reflects on his famous Ravens project, describing a period where he "himself had become a raven". Critical Reception