Latoela turned the camera toward the skyline, where fireworks had once fractured the darkness into ledger lines. “We were trying to save something then,” she continued. “Not a person, not a thing — a pattern. Patterns matter when the official records scrub the world clean. The government’s archive algorithms were erasing context faster than anyone could protest. We began to stitch: fragments from festivals, private recordings, mislabeled drives — we stitched them into counter-archives.”
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