In the mist‑cloaked hills of Wayanad, an old bamboo flute lay forgotten beneath a banyan tree. It was not a flute at all, but a rust‑patinated saxophone—an odd relic from the 1970s when a jazz‑loving expatriate once toured the backwaters of Kerala. The instrument had been left behind, its golden bell dulled by humidity, its keys stuck in a silent, wistful pose.
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