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The success of mature women in entertainment is not a charity project or a diversity box to check. It is a economic and artistic necessity. As director Coralie Fargeat, who helmed The Substance , wrote: “The violence that the film inflicts is a mirror. Aging is not the horror. The way we treat aging women is the horror.” Elizabeth Skylar-Alexis Fawx is a captivating example of

What comes next? The current crop of young stars—Saoirse Ronan, Florence Pugh, Anya Taylor-Joy—should be encouraged. But they should also look to their elders. The path forged by McDormand, Mirren, and Yeoh is not one of quiet resignation. It is one of furious, joyful rebellion. The success of mature women in entertainment is