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Malayalam films serve as a mirror to Kerala’s intellectual and social foundation.

The 1990s and 2000s saw a new wave in Malayalam cinema, with filmmakers like Mammootty, Mohanlal, and A. K. Gopan dominating the industry. This period also saw the rise of comedy films, which became a staple of Malayalam cinema. Films like (2002) and Malayali from India (2004) showcased the versatility of Malayalam comedians. The new wave also saw the emergence of women-centric films like Guru (1997) and Petta (2019), which highlighted the importance of female protagonists in Malayalam cinema. Malayalam films serve as a mirror to Kerala’s

have been analyzed for their critique of "toxic" and "hegemonic masculinity" and patriarchal family structures. with filmmakers like Mammootty