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The narrative structure mimics the episodic nature of Zissou’s own documentaries, often referred to within the film as having a "fixed" and somewhat rigid format. This meta-commentary on filmmaking—where the line between documentary truth and staged melodrama blurs—serves as a critique of the documentary form itself. Zissou’s life has become a performance; he cannot separate the man from the costume (his signature blue tracksuit and red beanie).
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