To illustrate the superiority of the Remux, here is a direct comparison of the same frame (the arrival of Sentinel Prime):
: The film was shot using a mix of 35mm film and digital formats including ARRI ALEXA Red One MX to achieve its distinct high-contrast look.
: A 26-minute look at NASA’s history and the future of the space program, tying into the film's "Space Race" plot. Deconstructing Chicago
The deep space sequences and the shadows in the ruins of Chicago are rendered with perfect inkiness, provided your display is calibrated.
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To illustrate the superiority of the Remux, here is a direct comparison of the same frame (the arrival of Sentinel Prime):
: The film was shot using a mix of 35mm film and digital formats including ARRI ALEXA Red One MX to achieve its distinct high-contrast look.
: A 26-minute look at NASA’s history and the future of the space program, tying into the film's "Space Race" plot. Deconstructing Chicago
The deep space sequences and the shadows in the ruins of Chicago are rendered with perfect inkiness, provided your display is calibrated.