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What is remarkable about this period is how stars bent to culture, rather than culture bending to stars. In Bollywood, the hero could not die; in Telugu cinema, the hero could not lose a fight. In Malayalam cinema, the hero could be a coward ( Yavanika ), a murderer ( Kireedam ), or a silent sufferer ( Mathilukal ). In Bollywood, the hero could not die; in

Kerala’s strong leftist movement appears in films like Aaranyakam (1988) – a woman’s political awakening – and Virus (2019) – a docudrama on Nipah outbreak handled by a communist health minister.