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The horror genre, in particular, has weaponized blended family anxieties. The Lodge presents a stepmother who is already fragile; the children’s psychological warfare drives her to a breakdown, inverting the “evil stepparent” trope into the “vulnerable stepparent.” Relic (2020) uses a three-generation household (grandmother, mother, daughter) with no male figure—a matrilineal blend—to explore dementia as a monstrous unblending of self.

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But the genre had shifted. Modern cinema was no longer interested in the neat resolution of the 90s, where the step-parents became best friends with the kids by the third act. It was about the uneasy coexistence. The horror genre, in particular, has weaponized blended